India has a longstanding reputation for its acclaimed film industry and continues to be by far the world’s largest producer of films. Nevertheless, domestic demand for films appears to be waning as in a number of developed countries with mature film industries. Hence, the econometric analysis in this paper is particularly timely as with demand for films in Indian cinemas falling it is important to identify those factors that make films appealing for Indian audiences. An original dataset is utilised that includes data on all Bollywood films released in India between 2011 and 2015. Account is taken of the potential endogeneity between variables through the use of the generalised method of moments approach. Results are used to demonstrate how the Indian film market can continue to have a significant positive impact on the Indian economy. The discussion highlights appropriate film production company strategies and government policy responses that should be considered to ensure the continued success of the Indian film industry both domestically and in an increasingly competitive international market.

It is immediately clear that while India produces by far the greatest number of films, with the number of films produced continuing to rise, the number of consumers paying to see films at cinemas in India has declined dramatically in recent years, despite significant growth in GDP since 2000 and international investment in the Indian film industry, Fetscherin (2010). However, falling popularity of going to the cinema is not exclusive to India, with falls in cinema ticket sales also seen in the USA and UK. Each of these film markets can be considered mature markets, with long established, successful film production industries, and cinema visits a long-established social activity. Indeed, the first full-length Indian film, Raja Harischandra, was produced in 1913, and by the 1920s, large-scale Indian film studio companies existed, and Mumbai had established itself as an early hub for film making (to become known as Bollywood). See Jones et al. (2008) for a history of the Indian film industry.

The importance of the Indian film industry to the Indian economy cannot be overstated: in 2012, Indian cinema box office revenues were $1.6 billion (McCarthy, 2014), in a services sector which accounts for more than 50% of the Indian economy.^Footnote2 Fetscherin (2010) suggests that the film industry accounts for approximately 20% of all revenues in the Indian media and entertainment industries. Further, despite the high profile of ‘Bollywood’ which is based in Mumbai, film production also has positive spillover benefits to other local economies, particularly Chennai where film production has long been established, with films made in four key southern Indian languages. There are also notable film production activities in Hyderabad, Karnataka, Kolkata and Kerala that benefit the local economies. Local economy benefits are not restricted to the direct benefits and multiplier effects associated with film production and therefore employment in specific local economies. Bollywood, in particular, also has tourism benefits with Bollywood locations boosting tourist visitor numbers, i.e. an indirect channel through which the Indian film industry contributes to gross domestic product (GDP).

Yet, the Indian film industry currently faces a number of challenges. First, a major challenge remains film piracy which limits the revenues that can be reinvested by producers, distributors and exhibitors. A complicated system of regulations with responsibility shared by a number of national and state level government departments only contributes to the often ineffective nature of policies and laws that should guard against piracy, Jones et al. (2008). The problem of piracy results in lower revenues across the film industry, and the negative effect on investment in the industry is compounded by the high entertainment tax rates imposed in India.

Second, relative to many countries, domestic cinema ticket prices remain low, Jones et al. (2008) and see Table 1. This again results in smaller box office revenues to be shared between film exhibitors, distributors and producers, reducing opportunities for reinvestment across the Indian film industry. This is particularly important at the moment as international film producers are increasingly investing in expensive technology associated with ‘enhanced format’ films, such as 3D and IMAX. Elliott et al. (2018) have found these films particularly popular with Chinese audiences, but these films require very large production budgets, as well as investment in cinemas by film exhibitors. Nevertheless, despite the costs of producing enhanced format films, they offer the advantage that the piracy of these films is less attractive as the special effects will be much less impressive to viewers when watching pirated films either on television screens or computer monitors. A further issue relating to low ticket prices is that regardless of this advantage, consumers are still purchasing fewer cinema tickets.

Meanwhile, despite difficulties until the early 1990s, the Chinese film market now continues to grow rapidly, both in terms of films produced and audiences’ desire to view films at cinemas. Despite initially slow growth of the film industry in China prior to the 1990s, its film box office revenues were expected to exceed $10 billion in 2016, coming close to overtaking the USA which enjoyed box office revenues of $11 billion in 2015, Shoard (2016). It is within this context that the performance of the Indian film industry has to be considered. The Indian and Chinese film industries share some similarities. Both countries have adopted economic liberalisation policies since the later years of the twentieth century, and as a result in both countries, the film industry has attracted greater foreign investment. Meanwhile, liberalisation has led to greater competition for domestic films from large budget, internationally produced films, often originating in Hollywood, with both Indian and Chinese audiences keen to watch these films.

This paper seeks to identify the factors that contribute to films’ success in Indian cinemas using an econometric analysis such that film production companies are in a better position to identify strategies to ensure their future success. These strategies relate to film characteristics as well as marketing strategy. Given the importance of the film industry to the Indian economy and the difficulties currently faced by the industry, our analysis is particularly important and timely. We believe this to be the first paper econometrically to estimate the determinants of domestic box office success for the Indian film industry. To do this, an original dataset has been collated and utilised, considering all Bollywood films released in Indian cinemas over the period 2011 to 2015. For each film, released data are collected on the size of production budget; Indian cinema box office revenues; film genre; the use of Bollywood star actors and directors; and the distributor of the film in India. Alternative measures of critical acclaim for each film are also collected. As well as identifying those factors associated with films’ Indian box office success, the results of the statistical analysis are used to develop government policy recommendations.

A literature review covering economic analyses of the film industry, both in India and more broadly, is provided in Sect. 2. The data and econometric methodology are described in Sect. 3. Results are reported in Sect. 4, with discussion of these results, policy implications and conclusions provided in Sect. 5.

Yoga, an ancient practice and meditation, has become increasingly popular in today’s busy society. For many people, yoga provides a retreat from their chaotic and busy lives. This is true whether you’re practicing downward facing dog posture on a mat in your bedroom, in an ashram in India or even in New York City’s Times Square. Yoga provides many other mental and physical benefits. Some of these extend to the kitchen table.

Types of Yoga

There are many types of yoga. Hatha (a combination of many styles) is one of the most popular styles. It is a more physical type of yoga rather than a still, meditative form. Hatha yoga focuses on pranayamas (breath-controlled exercises). These are followed by a series of asanas (yoga postures), which end with savasana (a resting period).

The goal during yoga practice is to challenge yourself physically, but not to feel overwhelmed. At this “edge,” the focus is on your breath while your mind is accepting and calm.

A Better Body Image

Yoga develops inner awareness. It focuses your attention on your body’s abilities at the present moment. It helps develop breath and strength of mind and body. It’s not about physical appearance.

Yoga studios typically don’t have mirrors. This is so people can focus their awareness inward rather than how a pose — or the people around them — looks. Surveys have found that those who practiced yoga were more aware of their bodies than people who didn’t practice yoga. They were also more satisfied with and less critical of their bodies. For these reasons, yoga has become an integral part in the treatment of eating disorders and programs that promote positive body image and self-esteem.

Becoming a Mindful Eater

Mindfulness refers to focusing your attention on what you are experiencing in the present moment without judging yourself.

Practicing yoga has been shown to increase mindfulness not just in class, but in other areas of a person’s life.

Researchers describe mindful eating as a nonjudgmental awareness of the physical and emotional sensations associated with eating. They developed a questionnaire to measure mindful eating using these behaviors:

• Eating even when full (disinhibition)
• Being aware of how food looks, tastes and smells
• Eating in response to environmental cues, such as the sight or smell of food
• Eating when sad or stressed (emotional eating)
• Eating when distracted by other things

The researchers found that people who practiced yoga were more mindful eaters according to their scores. Both years of yoga practice and number of minutes of practice per week were associated with better mindful eating scores. Practicing yoga helps you be more aware how your body feels. This heightened awareness can carry over to mealtime as you savor each bite or sip, and note how food smells, tastes and feels in you mouth.

A Boost to Weight Loss and Maintenance

People who practice yoga and are mindful eaters are more in tune with their bodies. They may be more sensitive to hunger cues and feelings of fullness.

Researchers found that people who practiced yoga for at least 30 minutes once a week for at least four years, gained less weight during middle adulthood. People who were overweight actually lost weight. Overall, those who practiced yoga had lower body mass indexes (BMIs) compared with those who did not practice yoga. Researchers attributed this to mindfulness. Mindful eating can lead to a more positive relationship with food and eating.

Enhancing Fitness

Yoga is known for its ability to soothe tension and anxiety in the mind and body. But it can also have an impact on a person’s exercise capacity.

Researchers studied a small group of sedentary individuals who had not practiced yoga before. After eight weeks of practicing yoga at least twice a week for a total of 180 minutes, participants had greater muscle strength and endurance, flexibility and cardio-respiratory fitness.

Cardiovascular Benefits

Several small studies have found yoga to have a positive effect on cardiovascular risk factors: It helped lower blood pressure in people who have hypertension. It’s likely that the yoga restores “baroreceptor sensitivity.” This helps the body senses imbalances in blood pressure and maintain balance.

Another study found that practicing yoga improved lipid profiles in healthy patients as well as patients with known coronary artery disease. It also lowered excessive blood sugar levels in people with non-insulin dependent diabetes and reduced their need for medications. Yoga is now being included in many cardiac rehabilitation programs due to its cardiovascular and stress-relieving benefits.

Before you start a new exercise program, be sure to check with your doctor.

Researchers are also studying if yoga can help people with depression and arthritis, and improve survival from cancer.

Yoga may help bring calm and mindfulness to your busy life. Find registered yoga teachers (RYT) and studios (RYS) through The Yoga Alliance.

Environmental Pollution:- Pollution is the effect of undesirable changes in our surroundings that have harmful
effects on plants, animals and human beings. This occurs when only short-term economic gains are made at the cost of the long-term ecological benefits for humanity. No natural phenomenon has led to greater ecological changes than have been made by mankind. During the last few
decades we have contaminated our air, water and land on which life itself depends with a variety of waste products. Pollutants include solid, liquid or gaseous substances present
in greater than natural abundance produced due to human activity, which have a detrimental effect on our environment. The nature and concentration of a pollutant
determines the severity of detrimental effects on human
health. An average human requires about 12 kg of air each day, which is nearly 12 to15 times greater than the amount of food we eat. Thus even a small concentration of pollutants in the air becomes more significant in comparison to the similar levels present in food. Pollutants that enter
water have the ability to spread to distant places especially in the marine ecosystem.

From an ecological perspective pollutants can be classified
as follows:
Degradable or non-persistent pollutants: These can be
rapidly broken down by natural processes. Eg: domestic
sewage, discarded vegetables, etc.
Slowly degradable or persistent pollutants: Pollutants that
remain in the environment for many years in an unchanged
condition and take decades or longer to degrade. Eg: DDT
and most plastics.
Non-degradable pollutants: These cannot be degraded by
natural processes. Once they are released into the
environment they are difficult to eradicate and continue t

AIR POLLUTION

Air pollution occurs due to the presence of undesirable solid
or gaseous particles in the air in quantities that are harmful
to human health and the environment. Air may get polluted
by natural causes such as volcanoes, which release ash, dust,
sulphur and other gases, or by forest fires that are
occasionally naturally caused by lightning. However, unlike
pollutants from human activity, naturally occurring
pollutants tend to remain in the atmosphere for a short
time and do not lead to permanent atmospheric change.
Pollutants that are emitted directly from identifiable
sources are produced both by natural events (for example,
dust storms and volcanic eruptions) and human activities
(emission from vehicles, industries, etc.). These are called
primary pollutants . There are five primary pollutants that
together contribute about 90 percent of the global air
pollution. These are carbon oxides (CO and CO2), nitrogen
oxides, sulfur oxides, volatile organic compounds (mostly
hydrocarbons) and suspended particulate matter.
Pollutants that are produced in the atmosphere when
certain chemical reactions take place among the primary
pollutants are called secondary pollutants . Eg: sulfuric acid,
nitric acid, carbonic acid, etc.

Carbon monoxide is a colourless, odorless and toxic gas
produced when organic materials such as natural gas, coal or
wood are incompletely burnt. Vehicular exhausts are the
single largest source of carbon monoxide. The number of
vehicles has been increasing over the years all over the
world. Vehicles are also poorly maintained and several have
inadequate pollution control equipment resulting in release
of greater amounts of carbon monoxide. Carbon monoxide is
however not a persistent pollutant. Natural processes can
convert carbon monoxide to other compounds that are not
harmful. Therefore the air can be cleared of its carbon
monoxide if no new carbon monoxide is introduced into the
atmosphere.
Sulphur oxides are produced when sulphur containing fossil
fuels are burnt.
Nitrogen oxides are found in vehicular exhausts. Nitrogen
oxides are significant, as they are involved in the production
of secondary air pollutants such as ozone.
Hydrocarbons are a group of compounds consisting of
carbon and hydrogen atoms. They either evaporate from
fuel supplies or are remnants of fuel that did not burn
completely. Hydrocarbons are washed out of the air when it
rains and run into surface water. They cause an oily film on
the surface and do not as such cause a serious issue until
they react to form secondary pollutants. Using higher
oxygen concentrations in the fuel-air mixture and using
valves to prevent the escape of gases, fitting of catalytic
converters in automobiles, are some of the modifications that can reduce the release of hydrocarbons into the
atmosphere.
Particulates are small pieces of solid material (for example,
smoke particles from fires, bits of asbestos, dust particles
and ash from industries) dispersed into the atmosphere.
The effects of particulates range from soot to the
carcinogenic (cancer causing) effects of asbestos, dust
particles and ash from industrial plants that are dispersed
into the atmosphere. Repeated exposure to particulates can
cause them to accumulate in the lungs and interfere with
the ability of the lungs to exchange gases.
Lead is a major air pollutant that remains largely
unmonitored and is emitted by vehicles. High lead levels
have been reported in the ambient air in metropolitan cities.
Leaded petrol is the primary source of airborne lead
emissions in Indian cities.
Pollutants are also found indoors from infiltration of
polluted outside air and from various chemicals used or
produced inside buildings. Both indoor and outdoor air
pollution are equally harmful.

The Mother Company is an American media organization that produces TV, web, and scholarly substance for family crowds. the organization is situated in Los Angeles, California

History

Author and CEO Abbie Schiller, an advertising official and previous VP with ABC and Kiehl’s banded together with Samantha Kurtzman-Counter (President), a chief and maker, who has chipped away at programs to channels like ABC, NBC, Vh1, MTV and the Disney Channel. The Mother Company propelled on Mother’s Day, 2010. Together, both Schiller and Kurtzman-Counter are known as “moms determined to rethink kids’ amusement.”

Organization Funding

Looking for business subsidizing, Schiller at first moved toward holy messenger speculators. Since they needed to give her more than double the sum she required, she diverted down proposals from three diverse customary speculation companies.Instead, Schiller and Kurtzman-Counter introduced the organization to moms on the play area, at school occasions and birthday celebrations before setting up a specialty gathering of individual speculators in and around Los Angeles.All yet one of the organization’s in excess of 20 financial specialists is a mother and the authors have kept greater part control.

The Mother Company’s center item, the Emmy®-winning instructive TV arrangement Ruby’s Studio, is intended to engage small kids while helping them to create basic professional social aptitudes and passionate knowledge. Live-activity show have, Ruby (Played by Kelsey Collins), guides youngsters as they investigate regular social-passionate difficulties through movement, DIY make undertakings, and unique music. The show have is Ruby (played by Kelsey Collins) who acquaints kids with sentiments through energized, workmanship and melodic fragment embeds. Kids’ craftsmen Elizabeth Mitchell and Lucky Diaz and the Family Jam Band are included as melodic visitors.

Improvement and Production

The Mother Company has an improvement manage eOne to grow live activity content for youngsters and tweens. The organizations have set their initial two undertakings under the settlement, one dependent on Howard Wallace, PI, the primary book in a three-book arrangement by Casey Lyall, and the other dependent on Anne Ursu’s The Lost Girl, both official created by Drew Barrymore’s Flower Films. Amanda Bowman Gerisch, VP, Scripted Development, Television at eOne is set to run point for the association.

Grants and Appearances

The Mother Company’s items, Ruby’s Studio and the friend book arrangement, have won a wide scope of grants. Ruby’s Studio: The Siblings Show won the NATAS Mid-Atlantic Emmy in 2016 is considered as Outstanding Children’s Show. Different Awards incorporate both Academic’s Choice Smart Book and Smart Media Awards, numerous Creative Child Awards remembering DVD of the Year for 2012 and 2013, Red Tricycle’s Coolest Kids Flick Award, a Parent’s Choice Foundation Gold Award, National Parenting Publication Awards and the esteemed Cynopsis Kid’s Imagination Award in 2014.

The Mother Company has showed up in distributions, for example, People, Forbes, Examiner.com, and on nearby news stations the nation over where they share exercises and qualities from their items and offer important hints to parents.Their items have been explored and suggested by distributions, for example, Parents.Com,People, Common Sense Media, Style Cartel, and School Library Journal. The Mother Company’s business story and their innovative achievement has stood out from outlets, for example, MSNBC, Entrepreneur,Bloomberg and FOX Business.