Analysing the Perception of Violence in Walker’s Short Story Collection In Love and Trouble: Stories of Black Women

Daily writing prompt

Have you ever unintentionally broken the law?

Dr. Ireshadsaheb Usmansaheb Shaikh

U. P. Arts and Science College, Dahiwel, Dhule (M.S.) Dec. 2025

Abstract: Alice Walker is a renowned African American novelist, poet, short-story writer, and social activist.She became known worldwide with the publication of her seminal work, The Colour Purple. She is regarded as a radical black feminist author. She propagated her theory of womanism in her stories. Violence is a recurring theme in her stories. Walker’s narratives demonstrate the hardships, tribulations, and dilemmas faced by African American immigrants in the United States. Alice Walker’s short story collections explore the theme of violence, particularly as it relates to women of color during the era of chattel slavery in the United States. Women of colour have historically been subjected to violence by both white and black men. While violence against black women is dehumanising, their resistance offers the possibility of a new identity. Walker exposes the traumatic lives of black women resisting oppression and violence in her short story collections in various forms, such as physical, mental, self-inflicted, and societal violence.

Keywords: Violence, Oppression, Resistance, Resilience, Mammies, Emotional abuse, Sexual harassment.

Alice Walker is a versatile and globally recognised American author, best known for her Pulitzer Prize-winning novel The Color Purple (1982). She is regarded as a radical feminist writer and is known for formulating Womanism, also known as Black Feminism. Walker believed that the feminist movement was primarily owned by white women, leaving little room for women of colour, as white feminists often failed to acknowledge or relate to the experiences of Black women. Along with other Black feminist critics, she helped develop a feminist theory that includes the issues and problems of women of colour. For Black feminists, race and class are as vital as gender is for white feminists. Racial and gender discrimination have equally contributed to the dehumanisation of women of colour, prompting efforts to dismantle racist structures.

A recurring theme in Alice Walker’s short story collection In Love and Trouble: Stories of Black Women(1973) is the testament of the exercise of verbal and physical violence against women of colour in the public and domestic spheres. She lays bare the truth of crafting an image of a Black woman as subhuman, unworthy of empathy, asexual, servile, angry, and bestial. Despite being labelled as inhuman, these women persist in asserting their voices and expressing pride in their cultural heritage. Walker’s narratives demonstrate the hardships, tribulations, and dilemmas faced by African American immigrants in the United States. Through these experiences, Walker’s Black female characters endure racism and ultimately gain the strength to challenge and dismantle oppressive patriarchal structures within American society.

Alice Walker’s short story collections explore the theme of violence, particularly as it relates to women of colour during the era of chattel slavery in the United States. Enslaved women were often subjected to dehumanising stereotypes, being labelled as breeders, mammies, jezebels, hoochie mamas, and sapphires. In her stories, Walker delineates these negative perceptions. Representations of Black women in art, literature, and popular culture have frequently depicted them as strong, masculine, bulky, boisterous, and angry, which has contributed to the notion that they could endure or were susceptible to violence. In the story ‘Everyday Use,’ a mother describes herself as,

“a large, big-boned woman with rough, man-working hands……. I can kill and clean a hog as mercilessly as a man. My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog. One winter I knocked a bull calf straight in the brain between the eyes with a sledgehammer and had the meat hung up to chill before nightfall.” (Walker 46)

A prominent example of colonial and racial exploitation in European history is the case of Sarah Baartman, who was paraded and exhibited half-naked in street shows in London and Paris around 1811. Crowds were invited to observe her body, described as large, uncommon, and erotic, and she was labelled the ‘Hottentot Venus’. After her death, her body parts were preserved in jars and displayed in a museum. This violence was perpetuated by the dissemination of negative images of black women. Baartman’s narrative documents abuse, violence, sexual harassment, and rape. The construction of a false narrative about women of colour was intended to coerce them into inhumane and degrading conditions, thereby normalising violence against them and discouraging resistance. Women of colour have historically been subjected to violence by both white and black men. While violence against black women is dehumanising, their resistance offers the possibility of a new identity. In “Her Sweet Gerome”, the black female protagonist is described as a “big awkward woman, with big bones and hard rubbery flesh” (Walker 26) and endures domestic violence. Her husband physically abuses her and fails to recognise her as an equal partner. She gives him all her money and attempts to conceal the visible marks of abuse with makeup. She married him for his perceived gentlemanly behaviour towards other women and initially felt proud to be his wife, but his actions ultimately contradict this image. Although he is a civil rights activist, he beats her “black and blue” (Walker 27), yet the community continues to regard him as a gentleman.

Walker exposes the harshness of black men even as they fight for their own rights, highlighting the violation of the protagonist’s rights. He never treats her as a wife; when she seeks affection, he responds with violence. He also inherits her father’s money. Despite enduring his violent and abusive behaviour and spending all her resources, she becomes distraught upon discovering his affairs with other women. In her search for the truth, she realises his obsession with the Civil Rights Movement and the black revolution. In a moment of heartbreak, she destroys his books with a knife and sets fire to the bedroom. “Overwhelming with pain,” she hides her face behind her slightly burned hands and “screamed and screamed” (Walker 34).

“The Child Who Favored Daughter” depicts the severe abuse, crime, and violence experienced by women of colour at the hands of both white masters and black men. The narrative centres on the suffering of three women. The story begins with a black man described as “father, judge and giver of life” (Walker 35) who has a daughter named Daughter. In his youth, his sister, also named Daughter, fell in love with his white master, who treated them inhumanely. She is described as “like honey, tawny, wild and sweet,” and her brother cared for her deeply. Despite his pleas, she left with the white man. She later returned, accompanied by another woman’s husband, appearing hysterical and profoundly changed. She had lost her long hair, “her teeth wobbled in her gums when she ate,” and no longer recognised anyone. She sang continuously and was “tied on the bed as she was at the mercy of everyone.” To keep her silent at night, her father beat her with a belt. Eventually, she was found dead on the compound spikes.

The narrative describes a man who, overwhelmed by his emotions, violently abuses his wife, ultimately causing her death and leaving behind a daughter. This daughter, depicted metaphorically as a flower, mirrors her mother’s fate by falling in love with a white man. Upon discovering this, the father subjects her to prolonged physical abuse, as described: “he beats her for a long time with a harness from the stable, and where the buckles hit, there is a welling of blood that comes to be level with the tawny skin, the spill over and falls” (Walker 43). The violence continues the following morning, culminating in further brutality: “he sees her blouse, wet and slippery from the rain, has slipped completely off her shoulders and her high young breast is bare.” In a frenzied state, he “gathers their fullness in his fingers……. he is suddenly burning with unnamable desire……draws the girl away from him pulling off his own arm and with quick slashes of his knife leaves two bleeding craters the size of grapefruits on her bare bronze chest and flings……to the yelping dogs” (Walker 43). Walker poignantly narrates the girl’s traumatic experience, drawing a comparison to flowers and emphasizing her defiance: “flowers pledge no allegiance to the banners of any man” (Walker 44). The story explores the pervasive violence faced by women of colour, particularly within familial and romantic relationships. Walker’s narratives detail the profound suffering of black women as they navigate relationships with fathers, brothers, husbands, and lovers, striving to survive and find meaning within oppressive circumstances.

“The Welcome Table” exposes the racist and violent actions of white individuals toward a poor, elderly Black woman in the American South. The protagonist attempts to pray at a church, but, due to her age and mental state, she does not realise it is a church designated exclusively for white congregants. Convinced that her devotion to Jesus Christ will protect her, she enters, only to be forcibly removed by members of the congregation. She experiences humiliation and injury and is found dead beside the road the following day. The narrative highlights her deprivation of human rights and the community’s indifference to her suffering and the injustice she endures. Similarly, “Flowers” depicts the realities of violence, lynching, and segregation during the Civil Rights Movement. White individuals would often fabricate accusations of rape against Black men to justify lynching, which served as a tool to degrade and dehumanise Black communities. The story follows Myop, a young girl who discovers the body of a lynched Black man, leading to her loss of innocence as she confronts the brutal realities of racial violence. Her stories are poignant and address themes of physical violence, beatings, fear, threats, the threat of rape, lynching, and death.

The story “The Revenge of Hannah Kemmhuff” explores the theme of physical violence. Here, the protagonist, Hannah, is physically abused by her husband, leading to a dramatic and violent confrontation. “Really, Doesn’t Crime Pay?” is another powerful story in Walker’s collection that deals with emotional abuse. The protagonist, Roselily, is trapped in an oppressive marriage with a man who emotionally manipulates and controls her, while another man in her life destroys her creativity by stealing her manuscript of stories. Stories like “Roselily”, “Everyday Use”, “The Welcome Table”, “Strong Horse Tea”, and “The Diary of an African Nun” demonstrate the societal violence, through systemic racism and sexism, confronted by women of colour, making them prone to violence and oppression. Stories like “Entertaining God’ and “We Drank Wine in France” reveal the theme of self-inflicted violence. Walker’s female characters struggle with internalised oppression, leading to self-destructive behaviours.Walker’s stories expose dark realities of the experiences of women of colour, filled with violence and subordination. Her stories attest to the resistance and resilience of women of colour.

Reference:

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Collins, Patricia Hill. “What’s in a Name? Womanism, Black Feminism and Beyond.” The Black Scholar, vol. 26, no. 1, 2001, pp. 9–26.
Harris, Trudier. “Folklore in the Fiction of Alice Walker: A Perpetuation of Historical and Literary Traditions.” Black American Literature Forum, vol. 11, no. 1, 1977, pp. 3–8. JSTOR, https://doi.org/10.2307/3041531. Accessed 13 Mar. 2024.
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Walker, Alice. The Color Purple. 10th ed., Phoenix, 1982.
The Complete Stories. 1994. Phoenix, 2005.
In Search of Our Mothers’ Gardens. Harcourt Brace Jovanovich, 1983.
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Accessed January 6, 2025.

From Repression to Ruin: A Study of Patriarchy and Female Trauma in Marjan Kamali’sThe Stationery Shop of Tehran

Daily writing prompt

Have you ever unintentionally broken the law?

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Sanjeeda Bano Shaikh Dadamiya

S. S. M. M. Arts Science & Commerce College, Pachora, Dist. Jalgaon

E-Mail: ssanjeeda160@gmail.com

Abstract:

Trauma, particularly as experienced by women in patriarchal societies, is a recurring theme in literature that offers profound insights into the intersections of gender, psychology, and cultural norms. In patriarchal frameworks, women often carry the burden of societal expectations and personal sacrifices, leading to unresolved psychological wounds that manifest in their relationships and choices. Marjan Kamali’s ‘The Stationery Shop of Tehran’ provides a poignant exploration of these themes, particularly through the character of Badri,whose unresolved trauma, experiences of betrayal and repression shape the trajectory of the story. Rather than positioning Badri merely as an antagonist, the paper re-reads her as a deeply wounded woman.Her unresolved trauma and internalized fears not only define her identity but also disrupt the lives of those around her, particularly her son, Bahman, and his beloved, Roya.

This study employs feminist trauma theory and post-traumatic stress disorderPTSD theory to analyse the psychological and social dimensions of Badri’s character. By applying Feminist trauma theory underscores the role of systemic patriarchy in shaping Badri’s trauma, revealing how her unfulfilled desires and societal pressures contribute to her controlling and fear-driven behaviours simultaneously PTSD theory provides additional insight into the psychological symptoms she exhibits, such as hypervigilance, emotional withdrawal, and the compulsive need to secure her son’s loyalty.

This interdisciplinary study contributes to the broader discourse on gender, trauma, and the interplay between personal and societal struggles, offering a deeper understanding of women lived experiences in literature.

Key words: Trauma, Feminist trauma theory, Repressed desires, PTSD.

Introduction:

A recurrent theme in literature for a long time is the complex tapestry of female trauma, woven through the strands of patriarchal oppression.Women’s experiences of oppression, abuse, and psychological misery have been poignantly documented from the boundaries of intimate areas to the broad expanse of societal systems.These experiences have been a common theme in literature;many authors use the storytelling medium to highlight the nuanced ways in which women navigate a society that seeks to constrain them. literature has provided a platform for examining the psychological and emotional impact of patriarchal oppression on women.Literary examinations of female trauma frequently delve into the connection of individual and societal experiences. Authors may shed light on the larger historical and social influences that influence women’s lives by delving into the lives of specific individuals.This intersectionality allows for a deep comprehension of the ways in which trauma is both a personal and a shared experience, rooted in the systemic injustices that women face.

The novelThe Stationery Shop of Tehran by Marjan Kamali explores themes of love, betrayal, and societal constraints, with its characters shaped by the cultural and emotional forces of mid-20th century Iran. Among these, Badri emerges as a complex and tragic figure whose past trauma dictates her present actions, ultimately influencing the lives of those around her.The 14-year-old Badri came from a middle-class family; her father sold watermelons. Her life changed when a young man from anupper-class family named Ali Fakhri became captivated by her charm and beauty.Despite their differing social statuses, they began a secret relationship.However, Ali eventually bowed to familial and societal expectations, leaving Badri to marry a woman of his own class.Years later, Badri encountered Ali again, and he became aware of the devastating impact his betrayal had on her life. When he betrayed her Badri had been pregnant with Ali’s child.Alone and overwhelmed by shame,she tragically decided to end the pregnancy.The experience left her physically weak and emotionally scarred.

In the years that followed, Badri’s life was marked by loss. While she had other children, none survived, leaving her with only her son, Bahman.She developed a strong bond with Bahman and was overcome with fear of losing him.When Bahman fell in love with Roya, Badri perceived Roya as a threat to their bond.Determined to keep her son close, Badri threatened Mr. Fakhri with suicide, coercing him into separating Bahman and Roya. Her relentless efforts ultimately succeeded, driving a wedge between the couple.

According to the descriptions given above, the purpose of this paper applies Feminist Trauma Theory and Post-Traumatic Stress Disorder (PTSD) to analyse Badri’s psychological condition.Feminist Trauma Theory frames Badri’s experiences as a product of patriarchal oppression, exploring how societal norms magnify the impact of her betrayal and perpetuate cycles of harm. PTSD provides a lens to examine the long-term effects of her trauma, focusing on the psychological symptoms she exhibits, such as hypervigilance, emotional instability, and an obsessive fear of loss. By integrating these frameworks, this paper argues that Badri’s repression, shaped by patriarchal forces, drives her eventual emotional ruin, manifesting in destructive behaviours that ripple through her relationships.

Background to Study:

The word “trauma” originates from the Greek word “τραῦμα” (traûma), which means “wound.” This ancient Greek term was primarily used to refer to physical injuries. Now, has evolved to encompass not just physical injuries but also the profound psychological and emotional wounds inflicted by violence, abuse, and systemic oppression.

As the American Psychological Association (2024) defines it,

“Trauma is an emotional response to a terrible event like an accident, crime, natural disaster,physical or emotional abuse, neglect, experiencing or witnessing violence, death of a loved one, war, and more.”When shock, flashbacks, denial, and physical symptoms like headaches or nausea last for a long time after an event, it’s possible that the person is likely suffering from trauma.

While physical harm was the primary focus of the original trauma idea, feminist thinkers have broadened it to encompass the invisible wounds suffered by women and other oppressed groups.It acknowledges that trauma is influenced by power dynamics, cultural norms, and society systems rather than being an objective experience. Sexual violence, domestic abuse, and institutional oppression are among the specific types of trauma that women are particularly susceptible to. This idea emphasizes how these traumas can have enduring psychological and societal effects and are frequently based in patriarchal structures.

Trauma is not just an individual experience, but is also shaped by social and cultural factors.This means that women’s experiences of trauma are often compounded by gender-based discrimination and violence. According to Judith Herman-

“Trauma results from an event or events that overwhelm an individual’s capacity to cope, causing intense fear and helplessness.”Trauma results from experiences that are too overwhelming for a person to handle, leaving them feeling extremely scared and powerless. These incidents have shaped Badri’s behaviour and mentality throughout her life.

The relationship between Badri and Mr. Fakhri is a significant example of social and emotional treachery. As a young, lower-class lady, she puts her trust in him, but when social pressures force him to put his family’s expectations ahead of their relationship, she is dumped. This incident makes her feel incredibly powerless, she is abandoned at a vulnerable moment in her life, bearing the burden of pregnancy and societal shame alone.The stigma of being an unwed, lower-class mother in a patriarchal society instils a fear of judgment, ostracization, and survival.The deaths of most of Badri’s children deepen her sense of helplessness, compounding her grief and fear of loss This un resolved trauma becomes a foundational wound that influences her later actions.

post-traumatic stress disorder (PTSD):

After witnessing or experiencing anything disagreeable, frightening, upsetting, or painful, a person may acquire post-traumatic stress disorder (PTSD). It is a psychological condition that develops following exposure to traumatic events. Symptoms include intrusive memories, hypervigilance, emotional dysregulation, and distorted perceptions of relationships.

Symptoms of PTSD include:

Reliving the horrific experience repeatedly through intrusive thoughts, or flashbacks
Feeling tense all the time, and being easily startled.
Avoiding reminders of the trauma, such as people, places, or activities.
Negative mood and thoughts, thinking negatively about oneself and the world.
Self-destructive behaviour, such as drinking too much or to threaten suicide.
severe physical or emotional reactions to something that brings up a traumatic experience.

The Effects of Post-Traumatic Stress Disorder Suffered by Badri:

Badri’s reactions was a result of her suffering of post-traumatic stress disorder. After being betrayed by Mr. Fakhir, she herself killed her baby and after that witnessing the death of most of her babies made her physically and emotionally weak.Badri’s exposure to a traumatic experienceis what caused the negative effects of post-traumatic stress disorder on her mental health, which in turn affects her psychological disorders.

Avoidance:

Avoidance of Emotional Confrontation,she developed a strong bond with her only surviving son Bahman and was overcome with fear of losing him. She justifies her decisions as protective rather than admitting they were driven by fear or insecurity.As it is seen in the text-“If Bahman marries that girl, I’ll lose him, I know. Roya won’t be like Shahla. She won’t let me stay close to him. As if losing the others wasn’t enough.”( p.271)

Behavioural Impact:

Badri’s efforts to keep Bahman and Roya apart, including forcing Mr. Fakhri to do so, reveal her desperate attempt to keep control in a world in which she feels helpless.Her threat of suicide is a manifestation of trauma that overwhelms her rational decision-making.The fear of losing Bahman, the last remaining connection to her identity as amother, leads her to extreme measures.Badri remains trapped in her unresolved guilt and emotional pain, leaving her isolated and unable to find peace.She sucked in her breath and held her hand to her neck. “Just let her go, Bahman. For me. You communicate with her and I will do it again.”(p.279)

Impact on Relationships:

Badri has a profound and damaging impact on her relationships, particularly with her son, Bahman. Her unresolved trauma compels her to be overbearing and controlling, creating a strained dynamic between them. Badri’s inability to trust others or relinquish control leads her to manipulate Bahman’s life, especially regarding his relationship with Roya, which she views as a threat to her authority and the family’s stability.In sabotaging Bahman’s happiness, Badri not only harms their bond but also perpetuates a cycle of pain and estrangement, illustrating the ripple effects of trauma on familial relationships. Her control which she sees as protective caused tension in her relationship with Bahman, pushing him further away emotionally.

“I wanted my mother to be normal, to be like other mothers. I wanted her to care for and support me, and I wanted her to be at our wedding and to let us live our lives. I wanted that more than anything else. But she was not like other mothers. She was herself. She had the rage, she had the depression, she was violent, she was cruel, she refused to let me live in peace. She wanted to control my life, she told me she loved me so much that she wanted the best for me.”(p.280)

Long term effect:

Badri is trapped in a state of inner turmoil because she is unable to deal with the consequences from her acts or manage her pain.This emotional burden prevents her from experiencing peace or moving forward in her life.She was unable to overcome her trauma or the betrayal by Mr. Fakhri. Her past constantly held her back, preventing her from moving forward in life.Instead of healing from this she kept weakening herself further and constantly worried about enduring more losses in the future.

“You thought you could do whatever you wanted to me, Ali. Behind the mosque. In that square. You got away with everything. You had the money, the privilege. I had nothing.” She wept into her hands. “I was a child!”(p.276)

This act underscores the long-term effects of trauma, her cry of “I was a child!”emphasizes the deep violation of innocence and trust, leaving her emotionally damaged and unableto heal from the scars of her youth, her past experiences leave her unable to process her emotions constructively, perpetuating harm instead.

Conclusion:

The story of Badri in The Stationery Shop of Tehran is a compelling illustration of how systemic injustice and individual trauma interact.Marjan Kamali portrays the devastating effects of patriarchal norms, which not only amplify individual suffering but also perpetuate cycles of harm across generations.Deep emotional wounds from Badri’s betrayal and the demands society places on women’s obedience and purity cause her to act in ways that are driven by control, fear, and an obsession with keeping her son Bahman safe.

By applying Feminist Trauma Theory, this paper has illuminated how Badri’s trauma is deeply gendered, rooted in the cultural and social structures of her time. Her pain is not simply a result of personal misfortune but is exacerbated by systemic inequalities that devalue women’s agency and prioritize appearances over emotional well-being. We have also examined the psychological effects of her unresolved trauma, such as her hypervigilance, emotional instability, and toxic relationships, through the perspective of PTSD.

Together, these frameworks reveal Badri as a complex and tragic figure whose actions, while harmful, are deeply human and shaped by her circumstances. Rather than viewing her merely as an antagonist, this dual analysis positions her as a victim of both personal betrayal and societal oppression.

Ultimately, Badri’s character serves as a reminder of the profound effects of trauma, especially in cultures where women’s lives and choices are restricted by patriarchal structures.Her story underscores the importance of recognizing and addressing both individual and systemic trauma to break the cycles of harm and create a more equitable and compassionate world.

References:

Kamali, Marjan. The Stationary Shop of Tehran. Simon & Schuster, 2021.
American Psychological Association. (2024). Trauma. Retrieved from, https://www.apa.org/topics/trauma
Herman, Judith Louis. Trauma and Recovery: The Aftermath of Violence from Domestic Abuse to Political Terror. Basic Books, 1992, p. 33.
Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Johns Hopkins University Press, 1996, p. 3.
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